Saturday 4 May 2024:
Django a Gogo 2024
Sat 4 May 2024, 19:00 - Town Hall, New York
-Michel Pilc. Django A Gogo is New York City´s longest-running appreciation for the "gypsy jazzSunday 5 May 2024:
Geneva Lewis, violin and Evren Ozel, piano
Sun 5 May 2024, 13:00 - Town Hall, New York
Two of today’s most exceptional young artists - 2023 Avery Fisher Award recipients - offer a delightful program including Brahms, Bartok, Say, Chopin & StravinskyWednesday 8 May 2024:
Michelle Collins - The Big Natural Tour
Wed 8 May 2024, 18:30 - Town Hall, New York
´s Pub in August 2023, and Time Out New York called her "the fastest mind in comedy." Michelle is one... independent, and has new episodes daily and featured interviews, news, and a stream-of-consciousness energy
Friday 10 May 2024:
An Evening with John Cusack and Screening of High Fidelity
Fri 10 May 2024, 18:30 - Town Hall, New York
Wednesday 15 May 2024:
Dixie Dregs: Anachronicity Tour 2024
Wed 15 May 2024, 18:30 - Town Hall, New York
, offering an up close and personal opportunity for long-standing and new fans alike to revel in musicalThursday 16 May 2024:
Letters Live
Thu 16 May 2024, 19:00 - Town Hall, New York
Friday 17 May 2024:
Daniela Darcourt, Atrevida Y Teatral
Fri 17 May 2024, 19:00 - Town Hall, New York
Emerging Superstar and Latin Grammy Award nominee Daniela Darcourt comes to NYC for a Town HallSunday 19 May 2024:
Paul Lewis, piano
Sun 19 May 2024, 13:00 - Town Hall, New York
Only at PSC - this great British pianist, whose recent PSC concerts have all been sell-outs, brings us Program #2 of his rare and remarkable Schubert Piano Sonata Cycle. It´s a wonderful contribution to our Anniversary celebrations - the 50th of Frank Salomon as Manager in 23-24, and the 125th Season of Peoples’ Symphony Concerts in 24-25.Friday 24 May 2024:
Saturday 25 May 2024:
Philip Glass Ensemble | Music in Twelve Parts
Sat 25 May 2024, 17:00 - Town Hall, New York
"Music in Twelve Parts, written by Philip Glass between 1971 and 1974, is a deliberate, encyclopedic compendium of some techniques of repetition the composer had been evolving since the mid 1960s. It holds an important place in Glass’s repertory - not only from a historical vantage point (as the longest and most ambitious concert piece for the Philip Glass Ensemble) but from a purely aesthetic sta Related searches:
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